![]() LFO act as modulation buss for auxiliary sources: EG1, EG2, S&H, Noise, VCO2, EnvFoll. phase normal/rev) FM Sources (Key, EG1, EG2, LFO2, Seq A, B, A+B, S&H, Aft, ModW, EnvFoll) Sync (Off, Gate, Seq, MIDI – dividing factor selectable from internal MIDI Interface) Shaping LFO out (from: Off, EG1, EG2, Lfo2, SeqA, B, A+B, S&H, Aft, ModW, EnvFoll). Sustain Time max 60”) as long as Gate is On.Īuto: EG full loop, from A to R independent from Gate.įrequency (from very low to 2500 Hz) Waveform (sine, ramp, triangle, saw, square w. Loop Off: EG as standard AHDSR, no Sustain Time. Loop Envelope: loop from Attack to Release, w. ![]() LED: red = EG under Gate sources blue = EG under Step Sequencer control Multi Stage Loopable Env (Attack, Hold, Decay, Sustain Lev, Sustain Time-Only in Loop On, Release) Gate Source Selection (Keyboard, S&H, ExtIn/ Step Seq) independent EG Amt for 24 dB LP Filter and 12 dB State Variable Filter, both w. FM 2 Amt (from VCLFO 1) FM 3 Amt (from Step Sequencer, Kybd Track 0-120% Key Vel On/Off.ĭedicaded Envelope Generator (see below) Control Selection (dedicated EG2, ON-hold, External CV) VCLFO1 Amt.ĪutoPan Off/Internal Clock/VCLFO1 Pan Frequency Control LED (red = internal clock blue = VCLFO1). Mode (12dB HP, 6 dB BP, 12 dB LP, 6 dB Notch) Cutoff Frequency Resonance Overload LED FM1 Amt (from VCLFO1, LFO2, VCO 1, 2, 3 Env Foll, Noise, S&H, EG2, Aft, ModW, KeyVel) w, phase rev. FM 2 Amt (from VCLFO 1) FM 3 Amt (from Step Sequencer, Kybd Track 0-120% Key Vel On/Off. Slope selection (6, 12, 18, 24 dB) Cutoff Frequency Resonance Overload LED FM1 Amt (from VCLFO1, LFO2, VCO 1, 2, 3 Env Foll, Noise, S&H, EG2, Aft, ModW, KeyVel) w, phase rev. pole selection & 12 dB/Oct State Variable Low, Band, High, Notch Filter.Įach filter has a separate Distortion/Level control.įilter section can be configured in LP 24 Only, SV 12Only, Serial (LP into SV), Parallel, Direct Out (LP 24 goes on Left Audio Out, SV 12 goes on Right Audio Out). Separate level controls for VCO 1, 2, 3, Sub 1, 2, Ext Input, Ring Mod, Noise.ĭual analog filter section: 24 db/Oct Low Pass Transistor Ladder Filter w. Input gain from line to mic level freely adjustable Gate Threshold (Gate to EG 1-2) enclosed envelope follower (goes into mod buss). Ring Mod Sources: VCO 2 & VCO 3/Ext Input (user’s selectable). user’s selectable octave offset from MIDI Interface). phase rev FM 2 Amt (only exp – from VCLFO1, Env Foll) sub oscillator (on VCO 1, 2) -1/-2 oct hard sync (VCO 1 master) kybd on/off (w. Tune & Fine six analog waveforms (sine, triangle, triangle & saw, saw, saw & variable pulse summed, variable pulse) manual pw & pwm (from VCLFO1, EG1, S&H, Aft) FM 1 Amt (lin/exp –from VCLFO1, LFO2, VCO1, 2, 3, Noise, S&H, EG1, EG2, Aft, ModW, KeyVel, EnvFoll) w. Furthermore, the Loop EG function enables the conditioned and unconditioned repetition of the envelope, in order to reach particular and temporal articulated sonorities. The A4 has been derived from an audio section of the Grp A8 (of which it takes over the structure) and it results more versatile and eclectic passing from smooth and extreme clean sonorities to harder sounds thanks to the two distortion installed in the synth (one for each filter) and due to the possibility to make interact synth, ring modulator, external signals and step sequencer in only on mechanism with an immense sonority power. Being featured with the same step sequencer used for the Grp A8, this synth is able to guarantee nearly infinite sound combinations due to the new characteristics which have been implemented in the instrument, with the possibility to filter out external signals and to manage all the important parameters of the analogical generation chain. The Grp Synthesizer was developed to offer the enthusiasts of analogical sound a more affordable synth in terms of price and dimension in comparison with the precursor model A8, without renouncing to the quality and performance that characterize our synths.
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